Browse Items (2042 total)

http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/0a15eb2395f6dfef190e540d350eea4b.jpg

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http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/78991483f2654d0a04fbe80f586879c5.JPG
This series of photogravures that "depict the aftermath of unspecified disasters" were annotated by the artist "suggesting possible scenarios, like storyboards for a film." The title comes from a Danish film production method. This specific item is…
http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/8ae58fbb982d55c560b164048e72d4d0.jpg
The article:
"Long shunned as totalitarian kitsch, Stalinist architecture is making a comeback this fall near Red Square with the reappearance of the Hotel Moskva—its facade famously adorns Stolichnaya vodka labels—as a Four Seasons…
http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/00a79c3af0d4550b29aee6381d49a6ca.JPG
This image of an aircraft carrier merged with England's Saint Paul's Cathedral striking off into the sea is a response to "the ICA's location between the flat expanse of Boston Harbor and the high-rise development that is transforming the Seaport…
Scans from this project
http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/79c5d97e5937c84502df2acf0885ee4f.png
Scans of several maps and tables are copied as separate files for convenience:
- Percent change in types of land cover
-Forest Loss in the Lyubertsy district
-District Boundaries Outside Moscow
-Image of typical suburban encroachment
http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/e98175d3d96c04b4ae9e91b207484305.png
Attached is an image of a street that the paper uses in a discussion on the disappearance of space for the common person.
http://dighist.fas.harvard.edu/courses/2015/HUM54/files/original/c01c3ce34f86ba8cccce0dc984f916a8.jpg
"Paul Revere's Ride", a poem written by Henry Wadsworth Longfellow in 1860 about Paul Revere's Midnight Ride to Lexington, where he warned the patriots about the British troops movements.

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Obituary describes an artist who "threw down the gauntlet to the 'official school of painting'" and "found himself at odds with the kind of painting favored by the former Kaiser Wilhelm" (pg 16)
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